Refined Craftsmanship Teapot

Name: Refined Craftsmanship Teapot
Brand: Taiwu Gallery
SKU: TP-JS-W0713
Price: 499.00 USD
Availability: InStock

$499.00 USD

Estimated shipping and regional duties may apply,

Elegance in Every Pour

A masterfully handcrafted teapot by Fujian artisan Chen Jintong, this piece combines traditional craftsmanship with a serene, modern aesthetic. Its unglazed white jade porcelain surface showcases the natural beauty of the clay, enhanced with black lacquer accents and delicate gold leaf. A rebuilt spout using Kintsugi adds both resilience and a poetic touch. With a 200ml capacity, it’s perfect for sharing tea or enjoying a personal ritual, elevating everyday tea moments.

The Kintsugi spout isn't a fix; it's a golden scar that honors the teapot's journey. It adds strength to the pour and soul to the form.

How It Feels

Tactile Harmony: Smooth jade-like porcelain feels warm in the hand, while the subtle texture hints at its high-temperature firing.
Controlled Pour: Carefully shaped spout and body balance ensure precise pouring for all tea types, from delicate greens to rich Pu-erh.
Ritual Presence: Holding this teapot invites mindfulness, a moment of quiet amid daily life.

Why It’s Different

High-Temperature Craftsmanship: Fired at 1380°C for a durable, lustrous surface that develops a jade-like patina over time.
Artful Accents: Black lacquer and gold leaf detailing accentuate the porcelain’s natural beauty.
Kintsugi Spout: Combines functionality with aesthetic storytelling, celebrating imperfection as art.

Built for Daily Use

Capacity: 200ml — ideal for solo tea sessions or small gatherings.
Tea Compatibility: Suitable for all teas, from white and green teas to oolong and pu-erh.
Maintenance: Rinse after use, avoid harsh detergents; the unglazed surface benefits from gentle daily care.

Founder Anchor

“In my journey through Chinese ceramics, few teapots have struck me like this one. Chen Jintong’s work captures not just form, but a quiet presence — a teapot that transforms daily tea into a ritual of calm.” — Kevin, Founder

FAQ Highlights

Is the unglazed surface fragile?
No, high-temperature firing ensures durability, and Kintsugi reinforces the spout.
Can I use it for every type of tea?
Yes, its design accommodates delicate or bold teas.
Will the porcelain change over time?
Yes, it gains a smoother, warmer patina with regular use.

Styled With

FAQ

Kintsugi (金缮／金繕) is a traditional Japanese technique of repairing broken pottery by filling cracks and breaks with lacquer and decorating them with powdered metal (gold, silver, etc.). Instead of hiding damage, it highlights the “scars” as part of the piece’s history and beauty.

Chinese lacquer, known as Da Qi, is a natural resin extracted from the lacquer tree. It forms a durable surface with a soft, glowing finish and is used for repairing ceramics or creating handcrafted trays, jewelry, and decorative pieces.

Yes — if repaired using traditional urushi lacquer and real metal powder (gold or silver), the piece can be food‑ and drink‑safe.

However: avoid exposing it to extreme heat (microwave, oven), and avoid dishwasher or strong cleaners — these can damage lacquer or metal surfaces.

Absolutely. We strictly use natural lacquer to bond ceramics, without any fast-drying glue.

Follow these rules for best longevity:

Hand‑wash only with soft sponge or cloth and mild detergent / warm water.
Rinse thoroughly, dry immediately with soft cloth — avoid soaking or leaving water too long.
Never use dishwasher, microwave, oven, or expose to abrupt temperature changes.
Avoid abrasive sponges, hard brushes, bleach, acidic or alkaline cleaners, and sharp cutlery against repaired lines — to prevent scratching or damaging the lacquer/metal finish.

Not all broken ceramics are suitable for Kintsugi. The technique works best when the fragments fit together neatly and the base material and glaze are compatible with lacquer adhesion. Extremely thin pieces, severely shattered ceramics, or surfaces with glaze that resists bonding may not be reliably repaired using traditional Kintsugi. Experienced practitioners recommend carefully assessing each piece before attempting restoration.

In addition, some modern “quick fixes” using epoxy resin or other artificial materials, while convenient, generally do not adhere to traditional standards and are not recommended for vessels intended for food or drink.

Traditional Kintsugi using urushi lacquer can last a very long time if properly cured and maintained — many preserved works have endured for decades, even centuries. If the lacquer layer degrades due to wear, chemical exposure, or extreme environmental conditions, experienced artisans can re‑lacquer or restore the piece. This ability to be repaired and renewed is one reason why Kintsugi is considered a sustainable and regenerative art form.

Yes — raw, uncured urushi lacquer (urushiol) can irritate the skin or trigger allergic reactions, much like poison ivy. Many traditional craftsmen recommend wearing gloves, long sleeves, and working in a well-ventilated space when handling uncured lacquer.

Once the lacquer is fully cured and sealed, lacquerware is generally safe for everyday use. However, if you have known sensitivities to natural resins, it’s wise to exercise caution or choose pieces that are professionally treated and clearly marked as food-safe.

Yes. Kintsugi embodies the philosophy of repair, reuse, and respect for objects. Instead of discarding broken pottery, it transforms damage into beauty, extending the life of items and reducing waste. This aligns with sustainable living ideals and adds unique historical/aesthetic value.