Antique Dehua Blue-and-White Plate | Longevity Motif Teapot Stand

Wabisabi Handwrite Chinese Poem Dehua Porcelain Pot Support|Best Ceramics

Wabi-Sabi Antique Blue Plate

A (40*173mm)

$239.00 USD

Estimated shipping and regional duties may apply,

Time, Poetry, and Use

These two late–Qing Dynasty Dehua blue-and-white plates carry the quiet confidence of objects that have lived a long life. They were not made as display pieces, yet today they naturally hold both history and presence.

Item A features gourds and drifting cloud motifs, accompanied by the poetic inscription

“一色杏花香十里” — “The scent of apricot blossoms fills ten miles.”

Close your eyes and let the tea's steam carry the 100-year-old scent of apricot blossoms into your room.

The exterior is finished with a restrained “王” (wang) pattern under a transparent celadon glaze. After more than a century, small chips and surface wear remain visible. Kevin has restored the damaged areas using traditional Kou-style metal repair, allowing the plate to continue its life with honesty rather than concealment.

Item B presents a more minimal composition: a central floral motif symbolizing vitality, encircled by flowing longevity patterns that express wishes for continuity and well-being. The maker’s mark remains on the base. Time has softened its surface, leaving gentle traces that enhance rather than diminish its character.

These are not fragile antiques locked in the past—they are objects that still belong on the table.

How It Feels

Living With History

Placed beneath a teapot, each plate adds weight and calm to the tea table. The slight unevenness, glaze wear, and metal-repaired edges quietly remind you that time has already passed through these objects—and that they are still here to be used.

They feel grounded, reassuring, and deeply human. Whether holding a teapot, jewelry, or small daily items, they bring a sense of continuity into modern life.

Why It’s Different

Authentic Qing Dynasty Dehua Kiln Work
Handmade blue-and-white porcelain with regional Dehua character.
Poetry & Symbolism
Item A’s inscription and Item B’s longevity motifs reflect classical Chinese aesthetics.
Kou / Metal Repair Restoration
Damage is respected and integrated, not hidden—embracing wabi-sabi values.
Designed for Continued Use
Ideal as teapot stands, jewelry dishes, or quiet decorative accents.
High Value, Not Locked Away
Historically meaningful, yet meant to remain part of daily rituals.

Ideal For

Gongfu tea tables (dry brewing style)
Teapot stands or presentation plates
Jewelry, incense, or personal objects
Homes that value calm, time-worn beauty

Built for Daily Life

Original Qing-era porcelain body
Stable weight and balanced form
Visible wear and glaze variations are intentional and irreversible
Metal-repaired areas may continue to patinate naturally

Founder Anchor

“I prefer objects that have already lived once—
they don’t rush, and they don’t pretend.”
— Kevin

These plates do not ask to be preserved behind glass.
They ask to be used—quietly, respectfully, and often.

Styled With

FAQ

Kintsugi (金缮／金繕) is a traditional Japanese technique of repairing broken pottery by filling cracks and breaks with lacquer and decorating them with powdered metal (gold, silver, etc.). Instead of hiding damage, it highlights the “scars” as part of the piece’s history and beauty.

Chinese lacquer, known as Da Qi, is a natural resin extracted from the lacquer tree. It forms a durable surface with a soft, glowing finish and is used for repairing ceramics or creating handcrafted trays, jewelry, and decorative pieces.

Yes — if repaired using traditional urushi lacquer and real metal powder (gold or silver), the piece can be food‑ and drink‑safe.

However: avoid exposing it to extreme heat (microwave, oven), and avoid dishwasher or strong cleaners — these can damage lacquer or metal surfaces.

Absolutely. We strictly use natural lacquer to bond ceramics, without any fast-drying glue.

Follow these rules for best longevity:

Hand‑wash only with soft sponge or cloth and mild detergent / warm water.
Rinse thoroughly, dry immediately with soft cloth — avoid soaking or leaving water too long.
Never use dishwasher, microwave, oven, or expose to abrupt temperature changes.
Avoid abrasive sponges, hard brushes, bleach, acidic or alkaline cleaners, and sharp cutlery against repaired lines — to prevent scratching or damaging the lacquer/metal finish.

Not all broken ceramics are suitable for Kintsugi. The technique works best when the fragments fit together neatly and the base material and glaze are compatible with lacquer adhesion. Extremely thin pieces, severely shattered ceramics, or surfaces with glaze that resists bonding may not be reliably repaired using traditional Kintsugi. Experienced practitioners recommend carefully assessing each piece before attempting restoration.

In addition, some modern “quick fixes” using epoxy resin or other artificial materials, while convenient, generally do not adhere to traditional standards and are not recommended for vessels intended for food or drink.

Traditional Kintsugi using urushi lacquer can last a very long time if properly cured and maintained — many preserved works have endured for decades, even centuries. If the lacquer layer degrades due to wear, chemical exposure, or extreme environmental conditions, experienced artisans can re‑lacquer or restore the piece. This ability to be repaired and renewed is one reason why Kintsugi is considered a sustainable and regenerative art form.

Yes — raw, uncured urushi lacquer (urushiol) can irritate the skin or trigger allergic reactions, much like poison ivy. Many traditional craftsmen recommend wearing gloves, long sleeves, and working in a well-ventilated space when handling uncured lacquer.

Once the lacquer is fully cured and sealed, lacquerware is generally safe for everyday use. However, if you have known sensitivities to natural resins, it’s wise to exercise caution or choose pieces that are professionally treated and clearly marked as food-safe.

Yes. Kintsugi embodies the philosophy of repair, reuse, and respect for objects. Instead of discarding broken pottery, it transforms damage into beauty, extending the life of items and reducing waste. This aligns with sustainable living ideals and adds unique historical/aesthetic value.